who is suite judy blue eyes written about

Associated tunings: proximities of shape, concept, context, etc… And to any genuine vibratory scientists reading: please critique my DIY analysis! See my Tunings Megatable for further such nerdery: more numbers, intervallic relations, comparative methods, etc.…and hasten the project’s expansion… -Documenting more altered tunings-Further harmonic & melodic analysis-Engaging with peg-twisting guitarists-Ensuring that high-quality guitar knowledge will remain open to all, at no cost: free from commercial motive!- Insights to share? Get in touch!.Like everything on my site, the World of Tuning will always remain 100% open-access and ad-free : however, anti-corporate musicology doesn’t pay the bills! I put as much into these projects as time and finances allow – so, if you like them, you can: Judy Blue Eyes Woodstock – Crosby, Stills, & Nash (1969):.One morning he fit everything into place, flailed the opening guitar licks and sang, ‘It’s getting to the point, where I’m no fun anymore…'”. But it’s not winning me back‘”.Īs per Dave Zimmer’s CSN: The Biography, the accompaniment and final arrangement, “grew out of a group of acoustic guitar patterns… in what Stills has called ‘Bruce Palmer modal tuning’. Collins later recounted her reaction to first hearing it, in a private hotel-room performance: “Afterwards, we both cried – and then I said, ‘ Oh, Stephen, it’s such a beautiful song. Though amicable, the separation had pained Stills in particular, leading him further into experimental songwriting sessions – and soon resulting in the oddly balanced exhortations of Judy Blue Eyes.

The track arose from Stills’ reflections on a recently-ended relationship with Judy Collins, a razor-sharp singer and social activist five years his senior. CSN members have also used the tuning (+ close transpositions) on Déjà Vu, Word Game, Carry On, and Love the One You’re With (cp.4).

The “doo-doo-doo-da-doo” backing vocals are the best known segment of “Suite: Judy Blue Eyes”, with Stills singing Spanish lyrics in the background.Bruce Palmer’s tuning will forever be associated with Suite: Judy Blue Eyes – a bold Stephen Stills composition immortalised through CSN’s Woodstock performance in 1969, reaching millions via the concert film and accompanying soundtrack release. The final section (the coda) is sung in Spanish, starting at 6:34 until the song concludes. He purposely paused between certain syllables in each line to obscure the lyrics. He does variate the lyrics when performing the song live but on the original recording below are the correct lyrics: Stephen Stills talked about it in an interview.

Who is suite judy blue eyes written about